When the R5 was launched it was clear that Canon needed to make a stills digicam that was additionally superb at video. With the simply introduced R5 C, they had been aiming for compact cinema digicam with wonderful stills – primarily the identical stills system because the R5.
What we ended up with are two very comparable cameras with vital variations in terms of capturing video. It may possibly simply complicate issues in case you are searching for one. To greatest perceive what modified between the R5 and R5 C, the fellows at ProAV TV put collectively a listing of the ten important variations between the 2 fashions.
1. No Document Limits
This one is straightforward, since Canon put a fan within the R5 C it now not suffers from the identical vital overheating points that plagued the unique R5. This, mixed with some primary firmware updates, enable the R5 C to document video with no limits. No extra 29:59 restrict.
2. Cinema EOS UI
A devoted change on the R5 C places the digicam into very distinct photograph and video modes. In video mode the UI is totally totally different from different mirrorless cameras because it has the identical UI and menu as Canon’s Cinema EOS line. This places it extra in keeping with a C70 than an R5 when capturing video. It additionally brings with it issues like waveforms, false shade, peaking, zebra, anamorphic, and different choices normally left to true cinema cameras.
3. 8K Oversampling
Each primary document mode on the R5 C truly oversamples from the total 8K picture. It makes the 4K HQ mode within the authentic R5 the native settings. Element is healthier and noise is extra managed. It’s an enormous benefit in case you are solely planning on working in 4K. Even Full HD has an enormous profit. Nevertheless, it doesn’t work in greater body charges nonetheless.
4. 8K 60p
Not simply unlocking 8K with longer recording, the R5 C even upped the max body fee to 60p. It does have some bizarre energy necessities that means you’ll have to plug it into mains energy or have a extra highly effective battery resolution to maintain features like electronically-controlled lenses and autofocus (that means all Canon RF lenses).
5. Multi-Perform Shoe
Solely simply beginning to present up on Canon cameras, their new Multi-Perform Shoe brings a direct connection for extra superior equipment the place each energy and knowledge will be transmitted by the shoe.
For video, it is a enormous benefit because it now opens the door for the Tascam CA-XLR2d-C XLR Microphone Adapter which provides full-size XLR inputs and audio controls to the R5 C. There are additionally another choices like small shotgun microphones and certain some new issues sooner or later.
6. No IBIS
One massive characteristic lacking from the R5 C is in-body picture stabilization. The R5 had an excellent unit so seeing it eliminated is sort of a bummer. Nevertheless, the R5 C does have a digital IS choice and for a lot of professionals there’s an argument to be made that IBIS is pointless for cinema cameras. We coated a comparability already if you wish to test that out.
7. Tally Lights & Timecode
The tweaked physique design made room for some tally lights to be completely positive you’re recording. Additionally, a much bigger change is that it has a timecode in/out port on the aspect. It’s the smaller DIN selection, however it’ll get the job performed for syncing up with different cameras or audio recorders.
8. Twin Base ISO
Regardless that it’s the similar sensor, the R5 C does have an official twin native ISO with settings as 800 and 3200 when capturing in Canon Log 3. It’s potential the unique R5 has the identical efficiency, however the officialness of the setting makes it simple to set to customized buttons for quick switching between the 2.
9. 10-Bit Log With out H.265
A bizarre limitation on earlier Canon mirrorless cameras was that to make use of the log profiles you wanted to be capturing in 10-bit H.265/HEVC. You couldn’t use them in any respect with the extra edit-friendly compressed choices. The addition of XF-AVC choices make it potential to document in log with out capturing within the powerful H.265 profile.
10. Vast DR
Together with the Cinema EOS UI are all of the Cinema EOS profiles, together with Vast DR. In case you are planning on utilizing the R5 C alongside different cinema cameras now you can extra completely match the colour profiles. Vast DR can also be a quicker choice than log gammas since it’s designed to look nice straight out of the digicam.
Would you choose up the R5 C over the R5 in your productions? Something particularly assist you make that alternative?
[source: ProAV TV]