This detailed comparability reveals how the Sony A7 IV stand as much as the Sony A7S III for video


Folks waited a lengthy time for Sony to interchange its ageing A7S II physique. It lastly got here mid-2020 within the type of the not surprisingly named Sony A7S III. And regardless of being no slouch at stills, its video capabilities had been its large promoting level. It lacked the 8K capabilities of the Canon EOS R5 and it might probably’t report inside uncooked video, however it does provide the core of options that many Sony video shooters need.

Final yr, we noticed the discharge of the Sony A7 IV, the successor to the favored Sony A7 III. It, too, introduced some very spectacular video options with it and it provides some distinct benefits over the A7S III on the subject of capturing stills, however how do the 2 rise up when capturing video is your main want? Effectively, on this in-depth comparability video, Caleb Pike solutions precisely that query.

Caleb covers a lot of variations between the 2 cameras, beginning with their bodily variations. The A7 IV has a barely deeper physique that’s simpler to grip handheld, the flippy out LCD is a bit of simpler to open because of the place from which you pull it. The A7S III has the next decision LCD and a bigger and better decision EVF, although. The A7S III additionally has twin SD/CFexpress Sort A slots, whereas the A7 IV has just one dual-format slot and a microSD card slot.

Many of the bodily adjustments between the 2 received’t make that a lot distinction to those that want to shoot video. They’ll usually be mounted on a tripod, gimbal or slider. Or they’ll be in a cage rig with an exterior monitor (presumably a monitor/recorder) on prime, observe focus unit and all the remainder of it. And as soon as they’re arrange, the purpose is to only have the ability to flip them on, hit report and go.

In terms of codecs and codecs – that are way more essential to video shooters – they’re each pretty evenly matched. In fact, the Sony A7S III provides a couple of modes that the A7 IV doesn’t, like 4K 120fps and 1080p 240fps. The A7S III additionally offers 4.2K 12-Bit Uncooked over HDMI at as much as 60fps for recording to one thing like an Atomos Ninja V.

There are some apparent variations on the subject of the dimensions of the sensor and crop components for numerous codecs, however these could be thought of extra of a private desire based mostly on wants than a “higher” or “worse” comparability. There are some attention-grabbing variations with the ISO, too. The A7S III will allow you to go larger, though the A7 IV appears to maintain up when it comes to high quality with the A7S III via the ISO vary it does assist regardless of (or on account of – as Caleb explains) having a a lot larger decision sensor with smaller photosites.

However these aren’t the one metrics by which we choose cameras. Particularly not for such a activity as capturing video, the place you would possibly typically have to shoot and match a number of cameras within the edit and have the look between them be seamless. Color accuracy, rolling shutter, dynamic vary, shadow element and plenty of different metrics are additionally components in why one would possibly select to buy one or the opposite. And even when one facet is objectively “higher” in a sure manner than the opposite, it may not make a distinction if the opposite already matches your wants.

However Caleb talks about all of those elements of the digicam and extra within the video. So, in the event you’re nonetheless on the fence about whether or not you need the Sony A7 IV or the A7S III, it’s value having a watch. It’d simply reply your questions!



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