Shot Speak on “The Grey Man” – Leveraging ShotDeck for Film Prep


In a latest episode of Shot Speak, an interview sequence from ShotDeck, cinematographer Lawrence Sher, ASC, talks with the Russo Brothers and digital camera operator / govt producer Geoff Haley about their newest characteristic, “Grey Man”, and the way ShotDeck helped them navigate the essential prep section of stated movie.

Prepping for a characteristic movie is difficult. You must get all the important thing collaborators collectively, speak for hours about all kinds of issues associated to the feel and appear, the places of the movie, focus on digital camera packages and different technical particulars, share some visions, discard others… it takes time. And as an example a sure look you take note of, effectively, an image is value a thousand phrases, as they are saying.

And that’s the place ShotDeck turns out to be useful (test our earlier protection right here). In easy phrases, it’s the biggest database of nonetheless photos taken from hundreds of films. It’s absolutely searchable, and each single nonetheless picture is tagged with all kinds of attributes: Shade, tone, really feel, angle, digital camera used, and so on.

In accordance with the Russo Brothers and Geoff Haley, ShotDeck performed a necessary function find particular seems to be for a selected scene or location of their movie. Take a look at your complete dialog under, it’s an interesting one and provides some deep dives into their strategy to a selected scene.

Shot Speak on “The Grey Man”

Geoff Haley, A-Cam and Steadicam operator (plus govt producer) on “The Grey Man,” talks about utilizing ShotDeck as inspiration for sure seems to be. Particularly, when the concept got here up to make use of a two-tone look far sure scenes, the place one shade could be within the heat spectrum whereas its counterpart could be extra cool.

He discovered some attention-grabbing stills from the tip of “Youngsters of Males”, the place a rowboat on a really grey and darkish sea is approaching a pink glowing beacon. That was precisely the look they have been going for!

ShotDeck
Nonetheless from “Youngsters of Males”, mentioned within the speak. Picture credit score: ShotDeck

However the speak additionally accommodates some masterclass-like insights into the way to pull off sure lighting conditions, for instance. The fireworks’ scene is one such instance, as Lawrence Sher factors out that it will need to have been extraordinarily difficult to match the lighting results inside to the CGI background exterior the home windows that was added later.

The answer was to construct big rigs within the form of timber that contained an unlimited variety of LEDs that could possibly be programmed to simulate fireworks. In post-production, these rigs have been then painted out and the CGI fireworks have been positioned to match the lighting results… neat!

As well as, the intensive use of FPV drone footage on this movie may be very noteworthy. Johnny Schaer (johnny_fpv on Instagram) piloted the drone on quite a few photographs used each for protection and to transition from one scene to the following. In a single spectacular instance, an FPV shot was blended right into a Steadicam shot executed by Geoff Haley, forcing you to leap proper into the motion, no basic establishing photographs ’spherical right here.

The speak goes on into numerous particulars on the movie and I actually encourage you to look at the entire thing, it’s actually attention-grabbing!

ShotDeck pricing

In case you’re desirous about ShotDeck, the service is subscription primarily based and prices round $99.95 / yr (or $12.95 / month), however there are reductions for college kids as effectively. Examine their website for particulars.

Hyperlink: ShotDeck web site | Shot Speak YouTube Channel

Do you utilize ShotDeck on your initiatives? What about “The Grey Man”, would you watch it? Share your experiences within the feedback under!



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