Fujifilm X-H2 Assessment | Images Weblog



Introduction

The Fujifilm X-H2 is a flagship APS-C sensor mirrorless digital camera which was launched in September 2022. Together with the X-H2S mannequin, it successfully replaces the three-year-old X-H1.

The X-H2 has a model new 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, the newest X-Processor 5 picture processing engine, 8K/30p, 6.2K/30p and DCI 4K video recording at as much as 60p in 4:2:0 8-bit internally and 4:2.2 10-bit externally through HDMI with recording instances of as much as 160min, and an prolonged ISO vary of 64-51200.

The XH2 can shoot at 20fps with steady phase-detect auto-focus and auto-exposure when utilizing the digital shutter, fully blackout-free with a 1.29x crop, and 15fps steady taking pictures when utilizing the mechanical shutter.

Different key options embody 5-axis in-body picture stabilisation (IBIS) which supplies as much as 7 shutter steps of compensation for stills, a 5.76M-dot OLED digital viewfinder with 0.80x magnification and 120fps refresh charge, a tilting 3-inch touchscreen LCD with 1.62-million-dot decision, and twin UHS-II SD and CFexpress Sort B reminiscence card slots.

There are 425 AF factors with section detection pixels throughout your complete body (100%) and the auto-focus algorithm has been improved in order that it is 3x sooner and provides higher eye/face detection than the X-T4.

The X-H2 can robotically detect animals, birds, automobiles, bikes, planes and trains due to the X-Processor 5’s AI deep studying capabilities, a function that no Fujifilm digital camera aside from the X-H2S has had earlier than.

The X-H2 is the primary ever X-Sequence digital camera to function Pixel Shift Multi-Shot, which robotically takes 20 photographs to ship 160 megapixel pictures for the final word high quality when element actually issues.

The X-H2 moreover provides an ultra-fast digital shutter that’s able to exposures as much as an unbelievable 1/180000sec, publicity compensation as much as ±5 stops, wi-fi and Bluetooth connectivity, 720-shot battery life and USB-C charging, interval timer taking pictures, in-camera uncooked conversion, a number of publicity and panoramic taking pictures modes, and a variety of filter results and movie simulation modes.

The Fujifilm X-H2 is accessible in Black priced at £1899 / $1999 for the digital camera physique solely within the UK and US respectively. The XH2 is manufactured in Japan.

Ease of Use




Fujifilm X-H2

Whereas the X-H2S targeted on out-and-out velocity with its spectacular 26 megapixel stacked sensor and 40fps steady taking pictures functionality, the even newer X-H2 concentrates on delivering sheer decision and excessive ranges of element, with a model new 40-megapixel X-Trans CMOS 5 HR sensor making its debut within the Fuji X-series digital camera vary.

This can be a BSI (back-side illuminated) sensor design that has far more of a give attention to element and backbone than out-and-out velocity, backed up by the introduction of the Pixel Shift Multi Shot mode which creates 160 megapixel pictures.

The 40 megapixel sensor additionally permits the XH2 to report 8K video, truly surpassing the XH2S which might solely report as much as 6K video as a result of it is restricted by its 26 megapixel sensor.

The X-H2 is the primary ever X-Sequence digital camera to function Pixel Shift Multi-Shot, which delivers 160 megapixel pictures for the final word high quality when element actually issues.

Beforehand solely seen on the corporate’s GFX-branded medium-format cameras, within the Pixel Shift Multi-Shot the digital camera data 20 frames, shifting the sensor by 0.5 pixels between every body.

The ensuing pictures are robotically mixed into one DNG RAW file, which could be output to a desired file format utilizing appropriate RAW processing software program.

It’s possible you’ll not just like the much less conventional, much less Fuji-like person interface or the somewhat eye-watering price-tag, however in order for you the highest-resolution cropped-sensor digital camera available on the market, that is the one to spring for.




Fujifilm X-H2

The brand new Fujifilm X-H2 is outwardly completely similar to its sister mannequin, the X-H2S, when it comes to their exterior design, measurement and weight – the whole lot is identical other than their nameplates.

Measuring 135.5 x 92.9 x 86.9mm and weighing 660g, the brand new X-H2 is barely smaller however barely heavier than the unique X-H1 (which measures 140 x 97 x 86 mm and 623g) , though not by that a lot. In the event you’re a long-time person of the XH1 than you will not discover an excessive amount of distinction between them in measurement and weight.

What is going to develop into rapidly obvious, although, is the radically totally different management format of this newest digital camera. Lengthy recognized for his or her retro styling and plethora of conventional controls, Fuji have determined to drastically pare again the XH2 interface, a lot in order that it bears little resemblance to its forebear.

Most notably, the basic Fujifilm ISO and Shutter Pace dials that have been situated on prime of the XH1 have made approach for a lockable, DSLR-like PASM dial on this new mannequin, positioned to the left of the viewfinder.

Along with the PASM and video modes, there’s additionally somewhat curiously a Filter possibility and in addition an enormous variety of Customized taking pictures modes – 7 in truth – which is essentially the most that we have ever seen on any digital camera.

The considering is you can setup and register this hybrid digital camera in many various methods for each stills and video, then rapidly recall them utilizing the taking pictures mode dial.

It nonetheless stays to be seen how followers react to what’s fairly a radical departure from the same old Fujifilm blueprint, but it surely definitely makes numerous sense for a digital camera that may probably be used to seize all kinds of topics in all kinds of how.




Fujifilm X-H2

The X-H2 has a big, sculpted hand-grip on the entrance. You’ll be able to undoubtedly match three fingers on it, perhaps even 4 relying in your hand measurement, together with your little finger naturally curling beneath the underside of the physique. There’s additionally a distinguished grip on the rear of the digital camera in your proper thumb.

A textured faux-leather floor runs across the full width of the digital camera, with two metallic eyelets on both aspect of the physique used for connecting the equipped shoulder strap.

Different key modifications to the X-H-series person interface embody the addition of much more Operate buttons, once more supposed so as to add as a lot flexibility to the setup of the digital camera as attainable, together with the alternative of the MCS dial on the entrance of the X-H1 with an unmarked Operate button on the X-H2.

The rear of the digital camera has additionally been considerably tweaked, with the thumb operated joystick sitting a lot greater than earlier than and the AF On and AE Lock buttons extra conveniently positioned round it.

Over on the suitable of the highest panel, the XH2 retains the very helpful top-panel LCD, but it surely’s now been transfer straight alongside the viewfinder hump and been joined by a column of ISO, white stability and performance buttons, together with a brand new one-touch video-record button that sits alongside the shutter launch button, which is encircled by the Off/On change.

Publicity compensation and shutter velocity at the moment are set utilizing the entrance and rear command dials somewhat than through exterior controls as on the X-H1, with the aperture management dependent upon whether or not the hooked up lens has an aperture ring or not (nearly all of Fuji’s lenses do) and whether or not it is set to Auto or not.

Total, the X-H2 reminds us of the X-S10, which additionally eschewed Fuji’s customary ISO dial, Shutter Pace dial and Publicity Compensation dials. These modifications have been made to that specific digital camera within the pursuit of simplicity and affordability, although, whereas with the X-H2 they have been made to allow the digital camera to be extra versatile and faster to make use of.




Fujifilm X-H2

The X-H2 provides a barely totally different customary sensitivity vary of ISO 125 to ISO 12,800 to the X-H2S, which could be expanded right down to ISO 64 and as much as ISO 51,200. This makes the X-H2 effectively suited to low-light taking pictures, permitting you to hand-hold the digital camera in locations the place you’d normally be reaching for a tripod or different help.

Fuji’s intelligent ISO Auto Management setting means that you can set a most sensitivity (as much as 6400) and a minimal shutter velocity (1/thirtieth is an effective start line), with the digital camera over-riding your ISO selection if it thinks you are being too bold while sustaining a shutter velocity that will not introduce digital camera shake.

The picture sensor used within the X-H2 is the following era 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, making its debut within the Fuji X-series digital camera vary.

Though it will probably’t match as much as the headline-grabbing 40fps steady taking pictures velocity supplied by the X-H2S and its stacked sensor, the brand new XH2 is definitely no slouch in relation to burst sequences.

The X-H1 was a comparatively quick digital camera when it was launched in 2018, able to taking pictures at 14fps utilizing the digital shutter or 8fps with the mechanical shutter., however the brand new X-H2 with the X-Processor 5 on-board ups the ante significantly.

Compared, the XH2 can shoot at 20fps when utilizing the digital shutter, fully blackout-free with steady phase-detect auto-focus and auto-exposure, somewhat than being locked on the first body. Not like the XH2S, a modest 1.29x crop is utilized although. It additionally provides a a lot sooner 15fps steady taking pictures velocity when utilizing the mechanical shutter, this time with none crop.

This makes the X-H2 one of many quickest cameras that Fujifilm have ever made when it comes to burst taking pictures, second solely to the X-H2S in truth.




Fujifilm X-H2

Relying in your topic, with the ability to choose from 20 incrementally totally different photographs might imply the distinction between a near-miss and a “excellent” picture, though you may want massive capability, high-speed CFexpress Sort B reminiscence playing cards to take full benefit of the sheer velocity on provide.

To assist with capturing the exact second, the X-H2 additionally a intelligent Pre-shot burst taking pictures mode, with the digital camera continuously filling the buffer whereas your half-press the shutter button, after which preserving the newest ones taken 0.5-1 seconds earlier than a full press of the shutter button, eliminating any digital camera and human-added delay. Observe that this function solely works with the digital shutter.

Because of its 40 megapixel sensor, the XH2 provides a higher variety of PDAF factors (3.3 million) than the XH2S. Fujifilm say that the brand new mannequin is not fairly as quick at monitoring transferring topics because the X-H2S, although.

The X-H2 truly has two sorts of shutter, mechanical and digital. When utilizing its mechanical focal-plane shutter, it has a prime shutter-speed restrict of 1/8000th second in all taking pictures modes.

There is not any built-in ND filter, so if you wish to use a really quick lens in very brilliant daylight while utilizing the mechanical shutter, then it is a good suggestion to purchase an precise glass ND filter. The X-H2 has a flash-sync velocity of 1/250th second with the mechanical shutter and 1/a hundred and twenty fifth second with the digital shutter.

The X-H2 additionally has a very silent digital shutter which supplies a a lot, a lot sooner prime shutter velocity of 1/180,000th second. This lets you proceed taking pictures wide-open with quick aperture lenses within the brightest of situations with out having to resort to becoming a glass ND filter or utilizing an exterior flash and lights.




Fujifilm X-H2

To make the digital camera even much less obtrusive, when the digital shutter is chosen, there is a Silent menu possibility which turns off the speaker, flash, AF-assist lamp and most significantly the shutter-release sound, immediately making the X-H2 completely suited to extra candid images.

It is all very effectively with the ability to report at 20fps, however except the digital camera can rapidly, precisely and reliably give attention to no matter fast-moving topic you are making an attempt to seize, it is all for nothing.

Fortunately, though the brand new X-H2 has the identical hybrid autofocus system with as much as 425 selectable section detection and and distinction detections factors because the X-H1, X-T4 and X-Pro3 fashions, Fujifilm have made numerous actually important enhancements to make it their greatest AF system but.

Chief amongst these is the debut of subject-based computational AI, with the XH2 with the ability to robotically detect animals, birds, cars, bikes and bikes, airplanes and practice.

You do should particularly select which of these you wish to monitor from the Topic Detection Setting menu, however as beforehand talked about, you’ll be able to simply register totally different settings to the customized modes on the taking pictures mode dial to keep away from having to continuously dive into the menu.

Turning this function on resulted in a super-high hit charge when it comes to auto-focusing, with the digital camera usually capable of give attention to the topic earlier than we might even noticed it ourselves.




Fujifilm X-H2

The improved auto-focus algorithm that is stated to be 3x sooner than the X-T4 and significantly the topic detection modes assist to make sure that most of your pictures are sharp.

Additionally serving to to maintain issues sharp is the XH2′ 5-axis in-body picture stabilisation (IBIS) system. The unique X-H1 was the primary ever Fuji mirrorless digital camera to function In-Physique Picture Stabilization (IBIS), and the X-H2 joins it and the X-H2S, X-T4 and X-S10 because the fifth Fuji digital camera to supply it.

And as with most of its different key options, this new mannequin ups the ante significantly. Whereas the X-H1 solely supplied as much as 5.5 shutter steps of compensation for stills, the X-H2 supplies as much as a most of seven stops, 1.5 stops higher and the joint-best of any present Fujifilm digital camera.

Equally, the OLED digital viewfinder on the X-H2 has higher 5.76M-dot decision, bigger 0.80x magnification and a sooner 120fps refresh charge than the X-H1, which had a 3.68M-dot EVF with 0.75x magnification and 100fps refresh charge.

Maybe extra importantly for a hybrid stills and video digital camera, Fuji have made an essential change to this mannequin’s LCD display. The older X-H1 had a intelligent three-direction tilting LCD display, but it surely did not tilt out to the aspect just like the one on the brand new XH2, which has a totally articulating, vari-angle, 3-inch LCD display with 1.62M-dot decision.

You’ll be able to flip out the display to the aspect, rotate it forwards for simpler operation when pointing the digital camera at your self, and fold it flat towards the again of the digital camera to cease it from getting scratched, which proves to be a extra versatile display for vlogging, film taking pictures and images typically.




Fujifilm X-H2

The X-H2S provides a greater video mode than the X-H2 and is certainly the one to purchase in case you’re predominantly a videographer, though this new mannequin definitely provides it a run for its cash predominantly due to its 40 megapixel sensor.

The newer digital camera provides a highest high quality charge of 8K/30p with no crop recorded in 4:2:2 10-bit internally for roughly 160 minutes. The XH2S cannot report in any respect in 8K due to its decrease decision 26 megapixel sensor, topping out at 6K/30p.

Mixed with a appropriate HDMI recording system from Atomos or Blackmagic Design, 12-bit RAW video output from the X-H2 could be recorded as Apple ProRes RAW or Blackmagic RAW at resolutions and body charges of as much as 8K and 29.97 frames per second.

The X-H2 additionally contains a digital zoom operate that makes use of the digital camera’s 40.2MP sensor to ship as much as 2x of digital zoom with little to no loss in decision, when recording video in 4K.

Because of its stacked sensor design, the XH2S provides a sooner rolling shutter than the X-H2 (1/180s vs 1/88s in 4K), although, and in addition provides higher dynamic vary (14+ stops versus 13+ on the XH-2). For 8K recording the rolling shutter on the X-H2 is even worse at 1/33s.

Most crucially, the XH2S can report in 4K at as much as 120fps, whereas the X-H2 is proscribed to 4K/60p, which for a lot of videographers will likely be extra essential than having 8K recording.

Each cameras can reap the benefits of a particular fan accent which screws into the again of the digital camera and improves the utmost recording time from 17 to 51 minutes at 40 Celsius.

The X-H2 options each built-in wi-fi and Bluetooth connectivity. The latter possibility creates a relentless, low-power connection between the X-H2 and a smartphone/pill to switch pictures and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous means that you can remotely management the X-H2 through a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch pictures and video from one system to the opposite.




Fujifilm X-H2

One other key change to the design of the X-H2 is reminiscence playing cards, particularly the kind that it makes use of somewhat than the quantity. Each the unique X-H1 and this new mannequin have twin reminiscence card slots, however whereas the older mannequin had two UHS-II SD format slots, the X-H2 has one UHS-II SD slot and one CFexpress Sort B slot.

So if you wish to reap the benefits of all of the velocity and backbone benefits that the XH2 provides, you may must put money into some CFexpress Sort B reminiscence playing cards and doubtless a brand new card reader too, because the digital camera merely cannot shoot and report at its quickest charges in case you solely use SD playing cards.

Fujifilm have additionally paid shut consideration to the X-H2’s battery life, in order that they’ve switched from utilizing the smaller capability NP-W126S battery that the X-H1 used to precisely the identical NP-W235 batteries because the X-T4.

This provides a CIPA-rated battery lifetime of as much as 720 photographs on a single cost in regular mode on the X-H2, with real-life utilization yielding even longer life. The X-H1 was rated at solely 310 photographs.

The XH2 can be powered and charged through a USB-C connection, which is helpful in case you’re out and about and have a appropriate power-bank to plug the digital camera into.

In the event you actually wish to lengthen the battery life, there is a Vertical Battery Grip (VBG-XH) out there for the X-H2 which accepts two NP-W235 rechargeable lithium-ion batteries to increase the life for as much as 1700 frames between recharges.

A metallic tripod mount is positioned inline with the centre of the lens and much away from the battery/reminiscence card compartment, so you do not have to take away the digital camera from the tripod to vary the battery or the reminiscence card.

Picture High quality

The entire pattern pictures on this overview have been taken utilizing the 40.2 megapixel High-quality JPEG setting, which supplies a mean picture measurement of round 18Mb.

The Fujifilm X-H2 produced pictures of excellent high quality. It data noise-free JPEG pictures from ISO 64 as much as ISO 3200, with a little bit noise at ISO 6400 and extra seen noise on the sooner settings of ISO 12800 and 25600 (ISO 51200 is greatest averted), a tremendous efficiency for a digital camera with a 40 megapixel APS-C sensor. The RAW recordsdata have been additionally glorious, exhibiting extra noise than their JPEG counterparts however nonetheless producing very usable pictures from ISO 64-6400.

The evening {photograph} was glorious, with the utmost shutter velocity of 30 seconds being lengthy sufficient for many after-dark photographs, and the Bulb mode permitting for much longer exposures if required. The Dynamic Vary and HDR settings subtly enhance element within the shadows and highlights, whereas the in depth vary of Movie Simulation modes hark again to a bygone period, and the Superior Filters mean you can have a little bit enjoyable together with your pictures in-camera.

Noise

There are 11 full ISO settings out there on the Fujifilm X-H2 for JPEGs and RAW recordsdata. Listed here are some 100% crops which present the noise ranges for every ISO setting.

File High quality

The Fujifilm X-H2 has 2 totally different picture high quality settings out there, with High-quality being the very best high quality possibility. Listed here are some 100% crops which present the standard of the assorted choices, with the file measurement proven in brackets.

High-quality (18Mb) (100% Crop) Regular (9.1Mb) (100% Crop)
quality_fine.jpg quality_normal.jpg
RAW (85.5Mb) (100% Crop)
quality_raw.jpg

Evening

The Fujifilm X-H2’s most shutter velocity is 30 seconds within the Time shutter velocity mode, and there is a Bulb mode which permits exposures as much as 60 minutes lengthy, which is good news in case you’re significantly all for evening images. The shot under was taken utilizing a shutter velocity of 15 seconds at ISO 125.

night.jpg

Pixel Shift Multi Shot

Pixel Shift is a particular Multi-Shot operate that can be utilized to create 160 megapixel pictures!

The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions throughout the sequence of 20 photographs.

You then must obtain the Pixel Shift Combiner software program from Fujifilm.com, manually choose the 20 recordsdata that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.

A number of Publicity

The Fujifilm X-H2’s A number of Publicity mode combines as much as 9 totally different pictures collectively in-camera to create one composite picture, with 4 other ways of mixing them – Additive, Common, Vibrant, Darkish.

multiple_exposure.jpg

Dynamic Vary

The Fujifilm X-H2 has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.

These settings steadily improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Observe you can’t truly flip this function off. All three settings can be found from ISO 500 upwards.

HDR

The Fujifilm X-H2 has a Excessive Dynamic Vary mode with 5 totally different settings – AUTO, 200%, 400%, 800%, 800%+. The digital camera takes three photographs with totally different exposures, altering the shutter velocity for every one, after which combining them in-camera.

Movie Simulations

The Fujifilm X-H2 provides 19 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous.

Superior Filters

The Fujifilm X-H2 provides 13 totally different artistic filter results which could be previewed on the LCD display and/or within the EVF earlier than taking a photograph.

Toy Digital camera

advanced_filter_01.jpg
Miniature

advanced_filter_02.jpg
Pop Shade

advanced_filter_03.jpg
Excessive-Key

advanced_filter_04.jpg

Low-Key

advanced_filter_05.jpg

Dynamic Tone

advanced_filter_06.jpg

Mushy Focus

advanced_filter_07.jpg

Partial Shade (Pink)

advanced_filter_08.jpg

Partial Shade (Orange)

advanced_filter_09.jpg

Partial Shade (Yellow)

advanced_filter_10.jpg

Partial Shade (Inexperienced)

advanced_filter_11.jpg

Partial Shade (Blue)

advanced_filter_12.jpg

Partial Shade (Purple)

advanced_filter_13.jpg

Pattern Photographs

This can be a number of pattern pictures from the Fujifilm X-H2 digital camera, which have been all taken utilizing the 40.2 megapixel High-quality JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any approach.

Pattern RAW Photographs

The Fujifilm X-H2 allows customers to seize RAW and JPEG format recordsdata. We have supplied some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail pictures proven under usually are not 100% consultant).

Pattern Films & Video

This can be a pattern 8K film on the high quality setting of 7680×4320 pixels at 30 frames per second. Please observe that this 16 second film is 204Mb in measurement.

This can be a pattern 6K film on the high quality setting of 6240×3510 pixels at 60 frames per second. Please observe that this 16 second film is 204Mb in measurement.

This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please observe that this 16 second film is 204Mb in measurement.

This can be a pattern 4K film on the high quality setting of 3840×2160 pixels at 30 frames per second. Please observe that this 15 second film is 192Mb in measurement.

This can be a pattern slow-motion film on the high quality setting of 1920×1080 pixels at 120 frames per second. Please observe that this 160 second film is 393Mb in measurement.

Product Photographs

Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2
Fujifilm X-H2

Conclusion

2022 is shaping as much as be a giant 12 months for Fujifilm with the launch of not one, however two flagship APS-C cameras within the similar shapes of the speed-centric X-H2S and now the resolution-focused X-H2.

Each fashions signify absolutely the pinnacle of what Fuji can at the moment obtain with an APS-C sensor and, ably supported by a protracted listing of wonderful lenses, they far surpass what the likes of Canon, Nikon and Sony have to supply with their equal methods.

Certainly, the 2 new X-H fashions are so good that additionally they signify a less expensive, but nonetheless very prime quality various, to their rivals’ full-frame methods, providing comparable ranges of velocity and backbone with out having to interrupt the financial institution.

The one query for us and extra importantly for you is which mannequin to plump for? The X-H2S provides unbelievable 40fps burst taking pictures, the most effective video capabilities of any X-series digital camera, and wise 26 megapixel decision.

In the meantime the brand new X-H2 ups the element ante to 40 megapixels, the very best of any APS-C digital camera, impressively with out introducing an excessive amount of noise at greater ISO values, and it additionally provides the cherry on prime of 8K/30p video recording and nonetheless blazing quick 20fps burst taking pictures, albeit the latter being with a modest 1.29x crop.

Because the X-H2 is similar to the X-H2S other than their nameplates, you’ll nonetheless must get on-board with their very un-Fuji-like person interfaces, at the very least till the X-T5 is introduced.

We truly suppose that the maybe controversially revised management format, with its reliance on operate buttons and customized modes somewhat than shutter velocity and ISO dials, is best suited to what’s a flexible hybrid digital camera that lends itself to being utilized in a mess of various methods. Your mileage could effectively differ although.

In the event you do not want the excessive decision, higher AF and improved video capabilities of the X-H2, you’ll be able to fortunately save fairly some huge cash by choosing one of many cheaper former flagship fashions such because the X-T4, a deal that’s sweetened even additional in case you desire their extra conventional person interfaces.

The X-H2 does have one main benefit over its speedy sibling, particularly worth. The brand new Fujifilm X-H2 is priced at £1899 / $1999 within the UK and USA respectively, making it the second most costly X-series APS-C sensor digital camera ever launched.

That title goes to the Fujifilm X-H2S, which is priced at £2499 / $2499 physique solely. This makes the XH2S a whopping £600 / $500 costlier than the brand new XH2, a distinction that’s primarily pushed by the stacked sensor inside it, which is far more pricey to fabricate than the BSI sensor discovered contained in the X-H2.

In abstract, whereas the X-H2 and X-H2S could look completely similar, due to their sensor applied sciences they’re aimed toward two fairly various kinds of finish person, though the previous mannequin’s 8K video mode will muddy the waters a little bit for some customers. Each are excellent cameras although – all you’ll want to do is ensure to select the suitable one…

5 stars

Scores (out of 5)
Design 4.5
Options 4.5
Ease-of-use 5
Picture high quality 5
Worth for cash 5

Most important Rivals

Listed under are a number of the rivals of the Fujifilm X-H2.

The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, but it surely’s additionally by far the most costly. Discover out precisely what this new flagship digital camera is able to and who it is aimed toward by studying our full Fuji XH2S overview full with full-size JPEG, Uncooked and video samples.

The Fujifilm X-T4 is the successor to the highly regarded X-T3, which was launched in 2018, principally including in-body picture stabilisation, tremendously improved battery life, a faster and quieter mechanical shutter, enhanced steady AF and numerous design tweaks. Can the brand new X-T4 enhance on what was already an excellent digital camera? Discover out now by studying our in-depth Fujifilm X-T4 overview…

The Z5 is Nikon’s model new entry-level full-frame mirrorless digital camera, sitting under the mid-range Z6 and flagship Z7 fashions within the three-camera lineup, and above the APS-C sensor Z50. Designed to compete with the likes of the Canon EOS R, Sony A7 III and Panasonic Lumix S1, does the Z5 have what it takes to face out in an more and more crowded market? Discover out now by studying our in-depth Nikon Z5 overview, full with full-size pattern pictures and movies.

The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Effectively no want to fret, as we take an in-depth take a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 overview, full with full-size pattern pictures and movies…

The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digital camera provide, and might it actually enhance on the best-selling GH5? We discover out in our overview of the Panasonic Lumix GH6 mirrorless digital camera, full with pattern pictures, check photographs, movies and extra…

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst taking pictures, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digital camera that you simply want. Discover out why we expect this is without doubt one of the greatest all-round cameras of 2021 by studying our in-depth Sony A7 IV overview…

Specs

Mannequin identify FUJIFILM X-H2
Lens Mount FUJIFILM X mount
Picture sensor 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with major coloration filter
Variety of efficient pixels 40.2 tens of millions pixels
Sensor Cleansing System Extremely Sonic Vibration
Picture Processing Engine X-Processor 5
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90 / CFexpress Sort B Card (-2TB)*Please test Compatibility for extra element.
*Please test the listing of the operation confirmed CFexpress Sort B Card

File format of nonetheless picture DCF Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG Exif Ver.2.32*1
HEIF 4:2:2 10bit
RAW 14bit RAW (RAF authentic format)
TIFF 8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels [L] 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
[M] 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
[S] 〈4:3〉 3464 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama [L] 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440
[M] 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440
Digital Tele-Converter 2.0x / 1.4x / OFF
Sensitivity Nonetheless Picture Customary Output: AUTO1 / AUTO2 / AUTO3 /ISO125-12800 (1/3 step)
Prolonged Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Film Customary Output: AUTO / ISO125-12800 (1/3 step)
Prolonged Output: ISO25600
Publicity management TTL 256-zone metering / Multi / Spot / Common / Middle Weighted
Publicity mode P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Handbook Publicity)
Publicity compensation Nonetheless -5.0EV – +5.0EV 1/3EV step
Film -2.0EV – +2.0EV 1/3EV step
Picture stabilizer Mechanism Picture sensor shift mechanism with 5-axis compensation
Compensation Impact 7.0 stops
*primarily based on CIPA customary
*Pitch/yaw shake solely
*With XF35mmF1.4 R lens mounted
Digital Picture Stabilization Sure (film mode solely)
IS MODE BOOST Sure (film mode solely)
Shutter kind Focal Airplane Shutter
Shutter velocity Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Mounted
Digital entrance curtain shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Mechanical + Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Mechanical shutter works till 1/8000sec.
E-front + Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec.
E-front + Mechanical + Digital shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec, Mechanical shutter works till 1/8000sec.
*The Digital Shutter might not be appropriate for fast-moving objects or handheld taking pictures. Flash can’t be used.
Film 8K: 1/8000sec. to 1/24 sec. 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec.
*Can’t select slower shutter velocity than framerate for some settings.
Synchronized shutter velocity for flash Mechanical shutter: 1/250sec. or slower
Digital shutter: 1/125sec. or slower
Steady taking pictures CH Digital shutter Approx. 20fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 202 frames, Compressed RAW + JPEG 129 frames, Lossless compressed RAW + JPEG 95 frames, Uncompressed RAW + JPEG 90 frames)CH Digital shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 372 frames, Lossless compressed RAW + JPEG 361 frames, Uncompressed RAW + JPEG 223 frames)

CH Digital shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)

CH Digital shutter Approx. 13fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 131 frames, Lossless compressed RAW+JPEG 131 frames, Uncompressed RAW+JPEG 127 frames)

CH Digital shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 769 frames, Lossless compressed RAW+JPEG 751 frames, Uncompressed RAW+JPEG 302 frames)

CH Mechanical shutter Approx. 15fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 400 frames, Compressed RAW+JPEG 110 frames, Lossless compressed RAW+JPEG 108 frames, Uncompressed RAW+JPEG 104 frames)

CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 512 frames, Lossless compressed RAW+JPEG 492 frames, Uncompressed RAW+JPEG 223 frames)

CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)

Pre-shot Digital shutter Approx. 20fps (1.29x Crop) (Whereas half press 20 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 13fps (1.29x Crop) (Whereas half press 13 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 10fps (1.29x Crop) (Whereas half press 10 frames, After full press 1000+ frames)
Pre-shot Digital shutter Approx. 13fps (Whereas half press 13 frames, After full press 1000+ frames)

*No. of recordable frames are calculated primarily based on CFexpress Sort B card in a chilly begin
*Recordable frames is determined by recording media
*Pace of steady taking pictures is determined by taking pictures surroundings and taking pictures frames

Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, as much as ±3EV steps
Movie Simulation Bracketing Any 3 forms of movie simulation selectable
Dynamic Vary Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
A number of Publicity Sure (Max. 9 frames) / Additive / Common / Vibrant / Darkish
HDR Mode AUTO / 200% / 400% / 800% / 800% +
Superior Filter Toy digital camera / Miniature / Pop coloration / Excessive-key / Low-key / Dynamic tone / Mushy focus / Partial coloration (Pink / Orange / Yellow / Inexperienced / Blue / Purple)
Pixel Shift Multi Shot Sure
Focus Mode Single AF / Steady AF / MF
Sort Clever Hybrid AF (TTL distinction AF / TTL section detection AF)
Low-light Efficiency Distinction: -4.0EV XF50mmF1.0 hooked up
Section Detection: -7.0EV XF50mmF1.0 hooked up
AF body choice Single level AF: 13×9 / 25×17 (Changeable measurement of AF body)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Huge/Monitoring AF: Sure (AF-S: Huge / AF-C: Monitoring)
All: Sure
Face/eye detection Sure
Topic detection Sure (Animal/Chook/Car/Motorbike&Bike/Airplane/Practice)
Flash EF-X8 Information Quantity: approx. 11 (ISO200・m) / approx. 8 (ISO100・m)
Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is about / OFF
Synchronized terminal Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: MANUAL
Sizzling shoe Sure (Devoted TTL Flash appropriate)
Viewfinder EVF: 0.5 inch OLED Shade Viewfinder, Approx. 5.76 million dots
Protection of Viewing Space vs. Capturing Space: Approx. 100%
Eyepoint: Approx. 24mm (from the Rear Finish of the Digital camera’s Eyepiece)
Diopter Adjustment: -5~+3m-1
Magnification: 0.80x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° )
Constructed-In Eye Sensor
LCD monitor 3.0 inch vari-angle Contact Display Shade LCD Monitor
Facet Ratio: 3:2
Dots: Approx. 1.62 million dots
Contact Display Mode Taking pictures Mode Taking pictures, AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), Contact Zoom (ON/OFF), EVF Contact Display Space Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.28 inch Monochrome LCD Monitor
Facet Ratio: 1:1
Dots: 128×128-dot
Film recording File format MOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Film compression All Intra / Lengthy GOP
File measurement

Body charge

Bitrate
[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)
[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)

*For recording motion pictures, use a CFexpress Sort B card or SD reminiscence card with UHS Pace Class 3 or greater.
*For recording motion pictures in 360Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Pace Class 60 or greater.
*For recording motion pictures in 720Mbps, use a CFexpress Sort B card or SD reminiscence card with Video Pace Class 90 or greater.
*Selectable bitrate will likely be modified is determined by the setting.
*Apple ProRes codec could be solely recorded to CFexpress Sort B card
*Bitrate for Apple ProRes codec shouldn’t be selectable.
*Recording time can develop into brief relying on the temperature and/or taking pictures situations

Movie simulation mode 19 modes (PROVIA/Customary, Velvia/Vivid, ASTIA/Mushy, Basic Chrome, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Shade Sure
Grain Impact Roughness STRONG, WEAK, OFF
Measurement LARGE, SMALL
Shade Chrome Impact STRONG, WEAK, OFF
Shade chrome Blue STRONG, WEAK, OFF
Clean Pores and skin Impact STRONG, WEAK, OFF
Dynamic vary setting Nonetheless AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
Film 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
White stability Auto White Precedence / Auto / Atmosphere Precedence
Customized Custom1 – 3
Shade temperature choice 2500K-10000K
Preset Daylight / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer taking pictures Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer taking pictures publicity smoothing)
Wi-fi transmitter Customary IEEE802.11a/b/g/n/ac (customary wi-fi protocol)
Encryption WPA/WPA2 combined mode, WPA3
Entry mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Middle frequency) 2402 – 2480MHz
Terminal Digital interface USB Sort-C (USB3.2 Gen2x1)
HDMI output HDMI connector (Sort A)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Distant Launch Connector
Sizzling shoe
Synchronized terninal
Energy provide NP-W235 Li-ion battery (included)
Battery life for nonetheless pictures*2 Financial system Mode: Approx. 680 frames
Regular Mode: Approx. 540 frames
*When XF35mmF1.4 R is about
Precise battery lifetime of film seize*2 8K: Approx. 70min. (29.97p)
4K: Approx. 75min. (59.94p)
Full HD: Approx. 85min. (59.94p), Approx. 90min. (120P)
*Face detection is about to OFF
Continuance battery lifetime of film seize*2 8K: Approx. 100min. (29.97p)
4K: Approx. 120min. (59.94p)
Full HD: Approx. 140min. (59.94p)
*Face detection is about to OFF
Dimensions Width: 136.3mm
Top: 92.9mm
Depth: 84.6mm
(Minimal Depth: 42.8mm)
Weight together with battery and reminiscence card: Approx. 660g
excluding battery and reminiscence card: Approx. 579g
Operation Surroundings Working Temperature -10℃ – +40℃
Working Humidity 10% – 80% (no condensation)
Beginning up interval Approx. 0.49sec.
Equipment included Li-ion battery NP-W235
AC energy adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Physique cap
Sizzling shoe cowl
File transmitter/vertical battery grip connector cowl
Reminiscence card slot cowl
Sync terminal cowl
Cooling fan connector cowl
Cable protector
Proprietor’s guide
  • *1 Exif 2.32 is a digital digital camera file format that incorporates a wide range of taking pictures info for optimum printing
  • *2 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Customary.

Film Specification

Media Rec (CFexpress Sort B card / SD reminiscence card)

Decision/Facet Measurement Body charge File format/Compression Bit charge*2 Bit depth HDMI outupt
Decision(Body charge)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 3520Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
attainable
1.0x
ProRes 422 MOV*1 2352Mbps(29.97p)*3
ProRes 422 LT MOV*1 1632Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Not
attainable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Not
attainable
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 2324Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
attainable
1.0x
ProRes 422 MOV*1 1553Mbps(29.97p)*3
ProRes 422 LT MOV*1 1077Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*4
Not
attainable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*4
4K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*4
Not
attainable
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 939Mbps(DCI 4K 29.97p)*3 10bit DCI4K/4K 4:2:2 10bit Not
attainable
1.0x
ProRes 422 MOV*1 627Mbps(DCI 4K 29.97p)*3
ProRes 422 LT MOV*1 435Mbps(DCI4K 29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
Not
attainable
1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Not
attainable
1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit Not
attainable
1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
Not
attainable
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 1877Mbps(DCI4K 59.94p)*3 10bit DCI4K/4K 4:2:2 10bit Not
attainable
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 1254Mbps(DCI4K 59.94p)*3
ProRes 422 LT MOV*1 870Mbps(DCI4K 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit 1.1x 1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 440Mbps(FHD16:9 59.94p)*3 10bit FHD 4:2:2 10bit*5 Not
attainable
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 294Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1 204Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit FHD 4:2:2 8bit*5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
Excessive velocity
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
240fps(4×/8×/10×)
200fps(4×/8×)
120p (2x/4x/5x)
100p (2x/4x)
ProRes 422 HQ MOV*1 1760Mbps
(when recording FHD16:9 240p)*3
10bit FHD(59.94p) 4:2:2 10bit*6 Not
attainable
1.23x
ProRes 422 MOV*1 1176Mbps
(when recording FHD16:9 240p)*3
ProRes 422 LT MOV*1 816Mbps
(when recording FHD16:9 240p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
200Mbps (when recording)
H.264 All-Intra 4:2:0 MOV 360Mbps (when recording) 8bit FHD(59.94p) 4:2:2 8bit*6
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps (when recording)
200Mbps (when recording)

HDMI Output

Decision/Facet Measurement Body charge HDMI outupt
Decision/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
8K 4:2:2 10bit Not
attainable
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit*4 Not
attainable
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit Not
attainable
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit *5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x

HDMI Output (Excessive velocity REC HDMI ONLY)

Decision/Facet Measurement Body charge HDMI outupt
Decision(Body charge)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
FHD 16:9 1920 x 1080 120p
100p
FHD(120p/100p) 4:2:2 10bit 不可 1.23x

HDMI RAW Output

Decision/Facet Measurement Body charge Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
不可 1.0x
  • *1 ProRes codec could be recorded to solely CFexpress Sort B card
  • *2 Bit charge will likely be modified depend upon the topic
  • *3 Bit charge for ProRes codec can’t be chosen
  • *4 The decision from HDMI output is totally different from chosen setting
  • *5 When the facet ratio shouldn’t be 16:9, the picture is output in 16:9 with a black band.
  • *6 The body charge from HDMI output is totally different from chosen setting

Your Feedback

We will be happy to hear your thoughts

Leave a Reply

error: Content is protected !!
Eagle Eye Offers
Logo
Enable registration in settings - general
Compare items
  • Total (0)
Compare
0
%d bloggers like this:
Shopping cart